Past Awards

The Aura of Confucius is a ground-breaking study that reconstructs the remarkable history of Kongzhai, a shrine founded on the belief that Confucius’ descendants buried the sage’s robe and cap a millennium after his death and far from his home in Qufu, Shandong. Improbably located on the outskirts of modern Shanghai, Kongzhai featured architecture, visual images, and physical artifacts that created a ‘Little Queli,’ a surrogate for the temple, cemetery, and Kong descendants’ mansion in Qufu. Although Kongzhai gained recognition from the Kangxi emperor, its fortunes declined with modernization, and it was finally destroyed during the Cultural Revolution. Unlike other sites, Kongzhai has not been rebuilt and its history is officially forgotten, despite the Confucian revival in contemporary China.

The Fragrant Companions is the most significant work of literature that portrays female same-sex love in the entire premodern Chinese tradition. Written in 1651 by Li Yu, one of the most inventive and irreverent literary figures of seventeenth-century China, this play is at once an unconventional romantic comedy, a barbed satire, and a sympathetic portrayal of love between women. It offers a sensitive portrait of the two women’s passion for each other, depicts their intellectual pursuits and resourcefulness, and celebrates their partial triumph over social convention.

In Ming and Qing China, inquiry into things and their contradictions flourished, and its depth and complexity belie the notion that material culture simply reflects status anxiety or class conflict. Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China, offering new insights into Ming and Qing literary and aesthetic sensibilities, as well as the intersections of material culture with literature, intellectual history, and art history. With examples spanning the late sixteenth to the mid-eighteenth centuries, she shows how relations with things can both encode and resist social change, political crisis, and personal loss.

Do the portrayals of objects in literary texts represent historical evidence about the material culture of the past? Or are things in books more than things in the world? Sophie Volpp considers fictional objects of the late Ming and Qing that defy being read as illustrative of historical things. Instead, she argues, fictional objects are often signs of fictionality themselves, calling attention to the nature of the relationship between literature and materiality. A deeply insightful analysis of late Ming and Qing texts and reading practices, The Substance of Fiction has important implications for Chinese literary studies, history, and art history, as well as the material turn in the humanities.

Born to a powerful family and educated at a prominent monastery, the Tibetan Buddhist nun and teacher Mingyur Peldrön (1699-1769) leveraged her privileged status and overcame significant adversity to play a central role in the reconstruction of her religious community. Alison Melnick Dyer employs literary and historical analysis, centered on a biography written by the nun’s disciple, to consider how privilege influences individual authority, how authoritative Buddhist women have negotiated their positions and situations, and how the lives of historical Buddhist women are (and are not) memorialized by their communities.

In the first half of the eighteenth century, members of the Naqshbandi Sufi dynasty vied for influence in the Tarim Basin, part of present-day Xinjiang. The ensuing conflict saw the region incorporated into the expanding Qing imperium. Three decades afterward, Muḥammad Ṣadiq Kashghari was commissioned to write an account of these Naqshbandi Sufis and their downfall. Providing a rare local perspective on China’s expansion into Muslim borderlands, this translation sheds light on Xinjiang’s political and religious traditions and makes a foundational work of Inner Asian literature available to students and scholars.

The Culture of Language in Ming China traces the origins of the study of phonetic scripts designed for writing Chinese, as well as early proposals for language standardization that brought together seemingly unrelated communities, from Buddhist monks to opera librettists. Conventionally understood as a period of intellectual stagnation, the late Ming dynasty represented a pivotal moment in scholarly practices and literary production revolving around philological pursuits, which continue to resonate to the present day. The Culture of Language in Ming China is the first book to examine the broad body of Ming scholarly texts on language.

The Lady of Linshui Pacifies Demons is a seventeenth-century novelistic account of the founding myth of the Lady of Linshui, the goddess of women, childbirth, and childhood, who is still venerated in places in Southeast Asia. The goddess’s story evolved from the life of Chen Jinggu in Ming Dynasty Hunan and has taken the form of vernacular short fiction, legends, plays, sutras, and stele inscriptions at temples where she is worshipped. This unabridged, annotated translation provides insights into late imperial Chinese religion, the lives of women in the period, and more broadly, the structure of families and local society.