Past Awards

The goddess Guanyin began in India as a male deity and by the Ming and Qing periods, Guanyin had become the most popular female deity in China. Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that they used their own bodies to echo that of Guanyin. Combining empirical research with theoretical insights from art history and Buddhist studies, the book is a field-changing analysis that reveals the interplay among material culture, religion, and their gendered transformations.

In early modern China, Jesuit missionaries associated with the male elite Confucian literati in order to proselytize more freely, but they had limited contact with women, whose ritual spaces were less accessible. Amsler’s investigation brings the domestic and devotional practices of women into sharp focus, uncovering a rich body of evidence that demonstrates how Chinese households functioned as sites of evangelization, religious conflict, and indigenization of Christianity. Now available in an open-access edition (link below).

The vast majority of the porcelain that circulated throughout the early modern world was made in Jingdezhen. This book traces the development of this remarkable city from its earliest beginnings at the end of the tenth century, when Jingdezhen first emerged as site of imperial production, through the appearance of the first blue-and-white wares in the Yuan dynasty (1275–1368), to the height of its flourishing in the eighteenth century.

This book analyzes the empire-wide construction projects of the Yongle Emperor of the Ming dynasty, one of the most famous emperors in Chinese history, to demonstrate how the siting, architecture, and the use of his palaces and temples established his authority and contributed to the legitimization of his usurpation of power. Although a number of books in English have dealt with the architecture of the Song (960–1279) and Yuan (1279–1368) periods, this is the first book in any Western language that specifically addresses the architecture of the Ming.

The Plum in the Golden Vase (also known as The Golden Lotus) may be the first long work of Chinese fiction written by a single (though anonymous) author. Featuring both complex structural features and psychological and emotional realism, the novel centers on the rich merchant Ximen Qing and his household and describes the physical surroundings and material objects of a Ming dynasty city. The essays in this volume provide ideas for teaching the novel from a variety of approaches, from questions of genre, intertextuality, and the novel’s reception to material culture, family and social dynamics, and power structures in sexual relations.

The story of Mulian rescuing his mother’s soul from hell has evolved as a narrative over several centuries in China, especially in the baojuan (precious scrolls) genre. This genre first appeared around the fourteenth century and endures as a living tradition. In exploring the evolution of the story, Berezkin illuminates changes in the literary and religious characteristics of the genre. Ultimately, he reveals the special features of baojuan as a type of performance literature that had its foundations in multiple literary traditions.

Slapping the Table in Amazement is the unabridged English translation of the famous story collection Pai’an jingqi by Ling Mengchu (1580–1644), originally published in 1628. The forty lively stories gathered here present a broad picture of traditional Chinese society and include characters from all social levels. We learn of their joys and sorrows, their views about life and death, and their visions of the underworld and the supernatural. The volume includes translations of verse and prologue stories as well as marginal and interlinear comments.

The Book of Swindles, compiled by an obscure writer from southern China, presents a fascinating tableau of criminal ingenuity. The flourishing economy of the late Ming period created overnight fortunes for merchants—and gave rise to a host of smooth operators, charlatans, forgers, and imposters seeking to siphon off some of the new wealth. Each story comes with commentary by the author, who expounds a moral lesson while also speaking as a connoisseur of the swindle. This volume provides a wealth of detail on social life during the late Ming.