Past Awards

The Geiss Hsu Foundation supported the development of the University of Irvine Libraries’ crowd-translation system for Ming government official titles. A critical reference tool for scholars of the Ming dynasty in China, this online reference uses an Application Programming Interface (API) to synchronize crowd-sourced translations. It includes 3,245 entries arranged in tiers related to the hierarchy of government offices. Each lists the official title in traditional Chinese, followed by its pinyin, English translation, and alternative title names (including abbreviations, colloquial names, and commonly-known names).

Fir and Empire traces changes in China’s woodland environment in the early modern period, exploring how subtle shifts in policy enabled transformations in both forest ecology and forest oversight. Woodlands evolved from open-access, natural-growth environments to privately owned, largely anthropogenic ones. Developments as seemingly distinct as the Zheng He fleets, Beijing palaces, Single Whip Reforms, and the emergence of the Hakka diaspora all had roots in the transformation of South China’s forests.

Last translated into English nearly fifty years ago, the Hegel and Li bring significant new scholarship to the task of interpreting, translating, annotating, and introducing this new addition of Further Adventures on the Journey to the West, which can be seen as the culmination of the Ming novel. The text brings together selected materials from earlier fiction, with an original and highly imaginative new setting, the Monkey King’s own mind. By developing threads implicit in the parent novel, this sequel demonstrates its author’s sophistication, strong sense of moral commitments, and clear sense of humor as it parodies common human foibles.

This two-day conference aimed to be the inaugural meeting of a regional forum to promote scholarly interaction and to support emerging scholars of late imperial China working in the Southeastern United States. By establishing these formal gatherings, the organizers hoped to provide intellectual benefits to the scholars and graduate students in the region, to enrich their own scholarship and teaching, and to engage broader interest in studies of the Ming.

Amid the turmoil of the Ming-Qing dynastic transition in seventeenth-century China, some intellectuals sought refuge in romantic memories from what they perceived as cataclysmic events. This volume presents two memoirs by famous men of letters, Reminiscences of the Plum Shadows Convent by Mao Xiang (1611–93) and Miscellaneous Records of Plank Bridge by Yu Huai (1616–96), that recall times spent with courtesans. They evoke the courtesan world in the final decades of the Ming dynasty and the aftermath of its collapse.

Staging Personhood uncovers a hidden history of the Ming-Qing transition by exploring what it meant for the clothing of a deposed dynasty to survive onstage. Reading dramatic texts and performances against Qing sartorial regulations, Wang offers an interdisciplinary lens on the entanglements between Chinese drama and nascent Manchu rule in seventeenth-century China, revealing not just how political and ethnic conflicts shaped theatrical costuming, but also the ways in which costuming enabled different modes of identity negotiation during the dynastic transition.

The Diary of 1636 is a unique source on Ming and post-Ming Chinese history, narrating the decline of the Ming and the rise of the Qing through the eyes of contemporary Koreans. Written by Na Man’gap (1592–1642), a scholar and government official, this well-known diary records the second Manchu attack on Korea.

The goddess Guanyin began in India as a male deity and by the Ming and Qing periods, Guanyin had become the most popular female deity in China. Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that they used their own bodies to echo that of Guanyin. Combining empirical research with theoretical insights from art history and Buddhist studies, the book is a field-changing analysis that reveals the interplay among material culture, religion, and their gendered transformations.